Theatre Buildings a design guide: Hướng dẫn thiết kế Nhà hát
SECTION 1: PRELIMINARY PLANNING
1.1 Introduction
1.2 Two case studies – Copenhagen and Oslo
1.3 The project – phases and time
1.4 Preliminary planning – the process
1.5 Step 1 – Project inception 6
1.6 Step 2 – Project development and studies 12
1.7 Step 3 – Brief writing and design team selection 16
1.8 Conclusion
SECTION 2: BROAD PRINCIPLES
2.1 Introduction
2.2 Location 24
2.3 Components of a theatre 25
2.4 Planning the building 30
2.5 Mechanical and electrical services 33
2.6 Access for people with disabilities 34
2.7 Fire safety 36
2.8 Sustainability 40
SECTION 3: FRONT OF HOUSE
3.1 Introduction 43
3.2 Basic principles 44
3.3 The journey through front of house 45
3.4 Foyer design and layout 46
3.5 Facilities within the foyer 48
3.6 Bars and catering 51
3.7 Provision for other activities 55
3.8 Routes and signage 58
3.9 Toilets 60
3.10 Support areas 62
3.11 Future technology 63
SECTION 4: AUDITORIUM DESIGN
4.1 Introduction 65
4.2 Factors influencing size and scale 66
4.3 Auditorium formats 67
4.4 Positioning and seating the audience 73
4.5 Sightlines 76
4.6 Acoustic considerations 79
4.7 Lighting and sound in the auditorium 82
4.8 Ventilation and air handling 83
4.9 Orchestra pit 86
4.10 Adaptability, flexibility and variable formats 88
4.11 Materials and finishes 92
SECTION 5: THE STAGE AND STAGE MACHINERY
5.1 Introduction 95
5.2 Sets and scenery 96
5.3 Setting out the stage house 99
5.4 Overstage machinery 108
5.5 Understage machinery 111
5.6 Stage machinery for the open stage 113
SECTION 6: LIGHTING, SOUND AND VIDEO
6.1 Introduction 119
6.2 Lighting equipment and infrastructure 120
6.3 Lighting rigging positions 122
6.4 Lighting control 127
6.5 Sound system infrastructure design 128
6.6 Sound rigging positions 131
6.7 Sound control positions 132
6.8 Video technology in the theatre 136
SECTION 7: BACKSTAGE PROVISION
7.1 Introduction 141
7.2 Circulation 142
7.3 Get-in 143
7.4 Production spaces 146
7.5 Personnel accommodation 148
7.6 Construction spaces 153
7.7 Rehearsal facilities 158
SECTION 8: ADDITIONAL SPACES
8.1 Introduction 161
8.2 Management structures 162
8.3 Functions and requirements 165
8.4 Office accommodation – specifications 167
8.5 Education and community activities 168
8.6 Rentals and hires 171
8.7 Storage 175
SECTION 9: RESTORATION, CONVERSION AND IMPROVEMENT OF EXISTING BUILDINGS
9.1 Introduction 179
9.2 Existing stock of theatre buildings 180
9.3 Opportunities and constraints 181
9.4 Some quick hits 186
9.5 Public areas 187
9.6 Within the auditorium 187
9.7 Backstage 192
9.8 Incorporating elements of new build 192
9.9 Other approaches – and some more radical solutions 193
REFERENCE PROJECTS
Théâtre des Bouffes du Nord, Paris, France 198
Cerritos Center for the Performing Arts, Cerritos,
California, USA 202
Copenhagen Opera House, Denmark 206
The Cottesloe, National Theatre, London, UK 210
The Courtyard Theatre, Royal Shakespeare
Company, Stratford-upon-Avon, UK 212
The Crucible Theatre, Sheffield, UK 216
The Donmar Warehouse, London, UK 220
The Egg, Theatre Royal, Bath, UK 222
Festival Theatre, Edinburgh, Scotland 224
Glyndebourne Festival Opera, East Sussex, UK 228
Guthrie Theater, Minneapolis, Minnesota, USA 232
Hackney Empire, London, UK 236
King’s Cross Almeida (temporary theatre),
London, UK 238
The Liceu, Barcelona, Spain 240
The Lowry, Salford Quays,
Greater Manchester, UK 244
Mahaffey Theater, St Petersburg, Florida, USA 248
Melbourne Theatre Company Theatre, Melbourne,
Victoria, Australia 250
Milton Keynes Theater, Milton Keynes, UK 252
The Opera House, Oslo, Norway 254
The Roundhouse, London, UK 258
Royal Academy of Dramatic Arts (RADA), London, UK 262
The Royal Exchange Theatre, Manchester, UK 264
The Theatre Royal, Bury St Edmunds, Suffolk, UK 266
Trafalgar Studios, London, UK 268
The Tricycle Theatre, London, UK 270
Wexford Opera House, Wexford, Ireland 272
The Winspear Opera House, Dallas, Texas, USA 274
The Young Vic Theatre, London, UK 278. Theatre Buildings a design guide
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